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TIME: Almanac 1993
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TIME Almanac 1993.iso
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120489
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12048900.041
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1992-09-23
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CINEMA, Page 101More Travels with Marty
By Richard Schickel
BACK TO THE FUTURE, PART II
Directed by Robert Zemeckis
Screenplay by Bob Gale
Time travel is the thinking person's UFO, an improbability
that nevertheless resonates with mysterious and sometimes
marvelous possibilities. But it has become a rather tired topic.
It is almost as hard nowadays to create fictional vehicles
capable of reawakening childhood reveries about zapping through
the years as it is to invent a scientific instrument actually
able to journey up and down the old continuum.
All the more remarkable then that the director-writer team
of Bob Zemeckis and Bob Gale has created, in the space of just
four years, two terrific movies on this subject. Like its
predecessor, Back to the Future, Part II does not merely warp
time; it twists it, shakes it and stands it on its ear. But as
before, the film's technical brilliance is the least of its
appeals. Satirically acute, intricately structured and deftly
paced, it is at heart stout, good and untainted by easy
sentiment.
Future II opens with a deceptively simple errand to run.
Doc Brown (Christopher Lloyd) wheels up to Marty McFly (Michael
J. Fox) in that lovable time machine (a goofily customized
DeLorean) with bad news: Marty's son -- not yet even a gleam in
his father's eye -- is in trouble in the year 2015, and there
is just enough time to save him from a life of crime. The
dauntless duo, accompanied, of course, by Marty's girlfriend
Jennifer (Elizabeth Shue), must head off to give future history
a quick fix.
The world they find is not entirely disagreeable: shoelaces
tie themselves; the criminal-justice system works efficiently
because lawyers have been eliminated; the Chicago Cubs have
finally won the World Series. Young McFly's salvation, though
it requires a certain strenuousness, is quite simply
accomplished. On the other hand, the personal future that Marty
and Jennifer discover is not what they dreamed it would be.
Something has gone quite nastily wrong.
That brutal jerk Biff Tannen (Thomas F. Wilson) -- he who
almost destroyed Marty's parents' lives in 1955, and from whom
Marty rescued them in the earlier film -- has survived into the
21st century too. What's worse, on their voyage into the future
Marty and Doc unwittingly provide him with the means to
construct a dark alternate history beginning in 1955. Over its
course, Biff has managed to turn pleasant little Hill Valley,
Calif., into a hellish variant of Las Vegas, with himself as its
czar. He has even contrived to make Marty's mother a widow and
marry her, turning her into an alcoholic and Marty into an
abused stepson.
Doc and Marty have no choice. They must return again to the
scene of their first intervention in history, that high school
dance that climaxed Future I. All along this story line, Marty
has been encountering variations on himself, his progenitors and
heirs. But when he is reinserted into this moment in time and
starts to meet himself and the situations of the previous movie,
Back to the Future II ceases to be a sequel. It becomes instead
a kind of fugue, brilliantly varying and expanding on previously
stated themes. And it accomplishes this while retaining its
powerful narrative drive and its infectious geniality.
Coming right after Zemeckis' Who Framed Roger Rabbit, which
was equally rich in invention and astonishment, the movie
establishes him as today's most exciting young director. And
makes next summer, when the concluding episode in this saga will
be released, a season to anticipate.